| Solo Exhibitions |
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| 2017 |
Ein Brief |
Galerie Hubert Winter, Vienna |
| 2016 |
Propaganda Painting |
Simon Lee Gallery, Hong Kong |
| 2014-15 |
London Paintings |
Simon Lee Gallery, London |
| 2013 |
Dexter Dalwood |
Kunsthaus Centre PasquArt, Biel, Switzerland |
| 2012 |
Dexter Dalwood : Orientalism |
David Risley Gallery, Copenhagen |
| 2011 |
Dexter Dalwood: Dichter und Drogen |
Nolan Judin Berlin |
| 2010 |
Dexter Dalwood |
CAC, Malaga |
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Dexter Dalwood |
FRAC Champagne Ardennes, Reims |
| 2010 |
Dexter Dalwood |
Tate, St. Ives |
| 2009 |
Dexter Dalwood:New Paintings |
Gagosian Gallery, Beverly Hills |
| |
Dexter Dalwood |
David Risley Gallery, Copenhagen |
| 2007 |
Dexter Dalwood: Recent History |
Gagosian Gallery, London |
| 2004 |
Dexter Dalwood |
Gagosian Gallery, New York |
| 2002 |
Dexter Dalwood: New Paintings |
Gagosian Gallery, Beverly Hills |
| 2000 |
Dexter Dalwood: New Paintings |
Gagosian Gallery, London |
| 1995 |
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Galerie Unwahr, Berlin |
| 1992 |
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Clove Building, London |
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| Selected Group Exhibitions |
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| 2017 |
The Painting Show |
Goyang Aramnuri Aram Art Gallery, Korea |
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True Faith |
Manchester Art Gallery, UK |
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The Painting Show (British Council) |
Limerick City Gallery of Art, Ireland |
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Bacon to Doig: Modern Masterpieces from a Private Collection |
National Museum Cardiff, Wales |
| 2016-17 |
Painters' Painters |
Saatchi Gallery, London |
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Fragmentos A Su Imán |
Galeria Horrach Moyà, Palma de Majorca |
| 2016 |
The Painting Show (British Council) |
TCAC Vilnius, Lithuania |
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Happy Ending |
FRAC Champagne Ardennes, France |
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Experiénce Sonore |
Musée d'art Moderne, Troyes, France |
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Mon Art a Moi |
Centre Pasqu'Art, Biel, Switzerland |
| 2015 |
Fighting History: 220 Years of British History Painting |
Tate Britain, London |
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20 Years, Zabludowicz Collection |
Zabludowicz Collection, London |
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Absence (Looking for Hammershøi) |
David Risley Gallery, Copenhagen |
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Reality: Modern and Contemporary British Painting |
Walker Art Gallery, Liverpool |
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ICA Offsite:Hong Kongese |
Duddel's presents, Hong Kong, China |
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Homeland |
Simon Lee Gallery, Hong Kong |
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Faux Amis |
Simon Lee Gallery, London |
| 2014 |
Reality: Modern and Contemporary British Painting |
Sainsbury Centre for Visual Arts, Norwich |
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The Venice Syndrome: Grandeur and Fall in the Art of Venice |
glHoltegaard, Holte, Denmark |
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Paying No Attention I Notice Everything: Robert Walser and the Visual Arts |
Aargauer Kunsthaus, Aarau, Switzerland |
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Paintings: 30 Years of FRAC Champagne Ardennes |
Musées de Troyes, Troyes, France |
| 2013 |
Six Unrelated Solo Shows |
David Risley Gallery, Copenhagen |
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Here We Go: A Changing Group Show |
Karsten Schubert Gallery, London |
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Thirteen |
Alan Cristea Gallery, London |
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Disaster |
Galerie Thaddeus Ropac Paris |
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Le Corps de L'Absence |
Musée des Beaux-Arts et d'Archéologie, Châlons-en-Champagne, France |
| 2012 |
The Space Between |
Karsten Schubert Gallery London |
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Le Serment de Résistance |
Musem Memorial Charles de Gaulle, Colombey-Les-Deux-Eglises, France |
| 2011 |
Germany is Your America |
Broadway 1602, New York |
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Dublin Contemporary 2011 |
Dublin, Ireland |
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'Sometime I wish I could just disappear' |
David Risley Gallery, Copenhagen |
| 2010 |
Turner Prize |
Tate Britain, London |
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Eleven |
Alan Cristea Gallery, London |
| 2009 |
Rank: Picturing the Social Order 1516-2009 |
Leeds City Art Gallery & Northern Gallery for Contemporary Art, Sunderland |
| 2008 |
ARTfutures 2008 |
Bloomberg Space, London |
| 2007 |
Fit To Print: Printed Media In Recent Collage |
Gagosian, New York |
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Von Bill Viola bis Aernout Mik |
Hamburger Bahnhof, Berlin |
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POPcentric |
Gering & López Gallery, New York |
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Lights, Camera, Action: Artists´ Films for the Cinema |
Whitney Museum of American Art, New York |
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Design For Living: Initial Access |
Frank Cohen Collection, Wolverhampton |
| 2006 |
The Triumph of Painting |
Saatchi Collection & Leeds City Art Gallery |
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Action |
Mário Sequeira Gallery, Braga, Portugal |
| 2005 |
Rifle Range |
Riflemaker, London |
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Works on Paper |
Gagosian Gallery, Beverly Hills |
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Contemporary Painting |
Alan Koppel Gallery, Chicago |
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London Calling |
Kaare Berntsen, Oslo |
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Growing up Absurd |
Herbert Read Gallery, Kent |
| 2004 |
Galleon and Other Stories |
Saatchi Gallery, London |
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Other Times: British Contemporary Art |
City Gallery, Prague |
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This Much is Certain |
Royal College of Art, London |
| 2003 |
Days Like These (Tate Triennial) |
Tate Britain, London |
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Exploring Landscape: Eight Views from Britain |
Andrea Rosen Gallery, New York |
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My Way Home |
Galerie Thaddeus Ropac, Salzburg |
| 2002 |
Hollywood is a Verb |
Gagosian Gallery, London |
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Sydney Biennale |
Sydney, Australia |
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Remix |
Tate, Liverpool |
| 2001 |
View Five: Westworld |
Mary Boone Gallery, New York |
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Generator 3 |
Baluardo di San Regalo, Lucca, Italy |
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Arthur C. Rose presents… |
Vilma Gold, London |
| 2000 |
Twisted: Urban and Visionary Landscapes in Contemporary Painting |
Van Abbe Museum, Eindhoven, The Netherlands |
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Sausages and Frankfurters: Recent British and German Paintings from the Ophiuchus Collection |
The Hydra Workshop, Hydra, Greece |
| 1999 |
Neurotic Realism: Part Two |
Saatchi Gallery, London |
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Caught |
303 Gallery, New York |
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Young and Serious-Recycled Image |
Ernst Museum, Budapest, Hungary |
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Heart and Soul |
60 Long Lane, London & Sandroni Rey, Venice, CA |
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Rebecca |
Sali Gia, London |
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Dirty Realism |
Robert Pearre Fine Art, Tuscon, AZ |
| 1998 |
Facts and Fictions |
In Arco, Turin, Italy |
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Die Young Stay Pretty |
ICA, London |
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Cluster Bomb |
Morrison Judd, London |
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Humdrum |
The Trade Apartment, London |
| 1997 |
Thoughts |
City Racing, London |
| 1996 |
Remaking Reality |
Kettles Yard, Cambridge |
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Whitechapel Open |
Whitechapel Gallery, London |
| 1995 |
John Moores 19 |
Walker Art Gallery, Liverpool |
| 1994 |
Whitechapel Open |
Whitechapel Gallery, London |
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Base |
Salama-Caro Gallery, London |
| 1993 |
Wild |
Ikon Gallery, Birmingham & Harris Museum, Preston |
| 1992 |
Whitechapel Open |
Whitechapel Gallery, London |
